n his works the artist deals with the question of an aesthetic positioning of art in its current social reality. The medium of painting is reflexively examined for its art historical significance.
Mit schnellem und sicherem Duktus, des in der Street-Art geschulten Künstlers, wird dem Betrachter eine flüchtige Stimmung eines Momentes vermittelt, der nicht unbedingt auf Reisen entstehen muss. Manchmal ist es ein Blick im Alltag, der Assoziationen in uns weckt, die uns aufzeigen, dass die Welt größer ist, als unsere tägliche Erfahrungswelt.
In his work Florian Rosier deals with the manipulation of perception and the creation of virtual worlds. For that he utilizes the medium of photography and challenges its reputition of absolute objectivity by changing the initial picture into something completely new.
The works of Konstantin Rosenkranz reflect an expression oftranscendence created by color and its effect on the canvas. Associations to colored lights in a room or to digital worlds are evoked.
For this purpose, the painter treats the color in such a way that it can act on its own and penetrate the observer. He leaves thecolors as autonomous as possible, applies them to the canvas and allowsthem to form into mixtures that are irreversible in the process.
Rosier strives for maximum quality, both in the production of the raw material and the photo data as well as in the selection of printing technology and the materials used. With sophisticated details in his work, he knows how to surprise the viewer over and over again.